Featured Fiction Author - February 2022

We are delighted to introduce the inspiring author, poet, and public speaker, Chimamanda Ngozi Adichie. She is a master storyteller whose works explore the themes of culture, race, gender, and politics through poetry and fiction. Adichie was initially drawn to write about the power of culture and how it influences gender roles and has since become a popular public speaker, having delivered two thought provoking TED talks, one of which has been published into a book-length essay.

Below are her most acclaimed publications, including links to the library catalogue, so you can secure yourself a copy and discover this wonderful writer.

Americanah

As teenagers in Lagos, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. The self-assured Ifemelu departs for America. There she suffers defeats and triumphs, finds and loses relationships, all the while feeling the weight of something she never thought of back home: race. Obinze had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Thirteen years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a blogger. But after so long apart and so many changes, will they find the courage to meet again, face to face? Fearless, gripping, spanning three continents and numerous lives, ‘Americanah’ is a richly told story of love and expectation set in today’s globalized world.

We Should All Be Feminists

A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun, based on her 2013 TEDx Talk of the same name. 'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently...' What does "feminism" mean today? In this personal, eloquently argued essay – adapted from her much-admired Tedx talk of the same name – Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century, one rooted in inclusion and awareness. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author's exploration of what it means to be a woman now – an of-the-moment rallying cry for why we should all be feminists.

Purple Hibiscus

In the city of Enugu, Nigeria, fifteen-year-old Kambili and her older brother, Jaja, lead a privileged life. Their Papa is a wealthy and respected businessman; they live in a beautiful house; and they attend an exclusive missionary school. But, as Kambili reveals in her tender-voiced account, their home life is anything but harmonious. Her father, a fanatically religious man, has impossible expectations of his children and wife, and severely punishes them if they're less than perfect. Home is silent and suffocating." "When Kambili's loving and outspoken Aunty Ifeoma persuades her brother that the children should visit her in Nsukka, Kambili and Jaja take their first trip away from home. Once inside their Aunty Ifeoma's flat, they discover a whole new world. Books cram the shelves, curry and nutmeg permeate the air, and their cousins' laughter rings throughout the house. Jaja learns to garden and work with his hands, and Kambili secretly falls in love with a young charismatic priest." "When a military coup threatens to destroy the country and Kambili and Jaja return home changed by their newfound freedom, tension within the family escalates. And Kambili must find the strength to keep her loved ones together after her mother commits a desperate act.

Half of a Yellow Sun

This novel is set in Nigeria in the 1960s, at the time of a vicious civil war in which a million people died and thousands were massacred in cold blood. The three main characters in the novel get swept up in the violence during these turbulent years. One is a young boy from a poor village who is employed at a university lecturer's house. The other is a young middle-class woman, Olanna, who has to confront the reality of the massacre of her relatives. And the other is a white man, a writer who lives in Nigeria for no clear reason, and who falls in love with Olanna's sister, a remote and enigmatic character. As these people's lives intersect, they have to question their own responses to the unfolding political events. This novel is about Africa in a wider sense: about moral responsibility, about the end of colonialism, about ethnic and tribal allegiances, about class and race; and the ways in which love can complicate all of these things.

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